https://shelleyodradek.com Shelley Odradek Tue, 25 Oct 2022 04:30:15 +0000 https://shelleyodradek.com en https://shelleyodradek.com/Future-Intimacies Sat, 13 Feb 2021 10:58:44 +0000 Shelley Odradek https://shelleyodradek.com/Future-Intimacies Shelley Odradek first appeared during the seminar "Re–Directing: East x Empathic Pedagogies: Future Intimacies" at the Center for Contemporary Art, Ujazdowski Castle in Warsaw, Poland. When Shelley was asked about her role in the residency, she had this to say: I came into the seminar with the true perspective of a Gemini: multiple minds/souls/energies/bodies, enmeshed. On the surface I would appear a duality, but in reality it’s something more akin to a higher dimensionality… one that is not fully able to be reconciled or realized just yet. I’m not an either/or, but rather something that has a fuller capacity to be space and time and form and past and present and future and surface and interior, all at once. And so I approached this seminar with this intention: to be open, curious, playful, and honest, and to use my role as a rhizomatic being to encourage the manifestation of new links and nodes. In some ways, my position became like that of the trickster, this very classic character who uses knowledge to disrupt expected behaviours in subtle ways. It was a totally unintentional effect, something that was elicited in me by the dynamic of the seminar group, both online and offline. With lightness, a sense of play, trust, and total willingness to just see what happens, I wanted to create opportunities to build new rhizomatic connections between the (much too simplified) binary of truth and fiction. The online space became exciting again! It was not this sucker of energy but was rather a space of friends, of communion, of guilt-less sharing and open support and respect for one another. We could choose to be present or not, choose to participate or not; it was quite honestly totally refreshing to be given this ‘permission’ to just be whatever we needed to be for ourselves in each moment. This trust was automatic and was up to each of us to buttress or reject. The Zoom room (and beloved WhatsApp chat FILLED with glorious stickers from the Mexico City contingent!) became a much more generous space, much closer to meeting a group of friends at a cafe or a&nbsp;park rather than something with the mental and hierarchical structures of a&nbsp;work meeting or seminar. That physical and mental frame shifted us into the kind of learning and sharing space that happens more organically in a physically local community, where you are invested in the health and well-being of those around you, as opposed to the stiffer, organised meeting with agendas and performers (please note: this should not be read as a criticism of either work communities or performativity/performative gestures, but rather read more as a ‘disarming’ of the need to mask). And of course this is not to say we did not have goals or agendas or tasks; they were announced, discussed, and achieved, routinely and collaboratively. I have a sense that the trust and intimacy in that space, in this group, came from a few different sources: that we had similar goals (i.e. we were all participating in this seminar for a pre-determined length of time with a prescribed schedule), and understood that we were each in some way responsible for building and nurturing this space together, which can also be read as a certain entry-level of empathy, and curiosity for/faith in the knowledge and wisdoms that others would undoubtedly donate to this collective space. <img width="1270" height="1896" width_o="1270" height_o="1896" data-src="https://freight.cargo.site/t/original/i/7aa0c5196151d71b3b8c8949ab469328b21d1916d038b335a7c5cf01c85345b4/Zrzut-ekranu-2020-11-30-o-15.26.03.png" data-mid="98751534" border="0" src="https://freight.cargo.site/w/1000/i/7aa0c5196151d71b3b8c8949ab469328b21d1916d038b335a7c5cf01c85345b4/Zrzut-ekranu-2020-11-30-o-15.26.03.png" /> Portrait of Shelley Odradek by Ania Bystrowska for The Residents MagazineFuture Intimacies comrades: Marianna Dobkowska, Julia Harasimowicz,&nbsp;Amado Cabrales, Lia Garcia, Daniel Godinez Nivón &amp; Krisztián Gábor Török, Julia Harasimowicz, Ewa Hubar, Kasper Lemiesz, Tonatiuh Lopez, María Paola Malavasi, Piotr &amp; Andrzej, Daniela Whaley, Aisel Wicab, Ola Andrzejewska and Kathryn Zazenski. https://shelleyodradek.com/super-bien-Berlin Fri, 04 Feb 2022 08:47:32 +0000 Shelley Odradek https://shelleyodradek.com/super-bien-Berlin <img width="2481" height="1749" width_o="2481" height_o="1749" data-src="https://freight.cargo.site/t/original/i/8ec94d984dc677ef2589420b59f530e6d485632e74bf8384b1710387039366fa/exhibition_image_low_visibility_of_shelley_odradek.jpg" data-mid="146636505" border="0" src="https://freight.cargo.site/w/1000/i/8ec94d984dc677ef2589420b59f530e6d485632e74bf8384b1710387039366fa/exhibition_image_low_visibility_of_shelley_odradek.jpg" /> low visibility 01.07 - 21.08.2022 super bien! (Berlin) Predominant cultural and power relations function within the logic of wholeness, finity, and completeness, success and individuality. And so when something breaks, or cracks, or is perhaps unable to render a perfect, ‘mirror’ reflection, it is no longer able to serve its normative purpose. But does the “imperfect” reflection not give us something valuable? Are these aberrations not centers of possibility? Images are echoes, in-visibility is altered visibility. Shelley neither romaticizes nor negates virtual life(s) in favor of material life, but introduces spaces which test the ‘break’ potential of virtual engagements, languages, structures, and bounds, in relation to material life. She seeks both clarity and blur in the spaces that we define, and through which we are defined. She asks, “If I have no image, what do I reflect? If I have no body, what is my skin?” -Shelley Odradek, 2022 (full exhibition text below) <img width="3000" height="2000" width_o="3000" height_o="2000" data-src="https://freight.cargo.site/t/original/i/42c0f6955e3ebaf98ec58c6241a92f3b32e72fd19f815cf3fef55cd1fe111279/lv_03.jpg" data-mid="147220143" border="0" src="https://freight.cargo.site/w/1000/i/42c0f6955e3ebaf98ec58c6241a92f3b32e72fd19f815cf3fef55cd1fe111279/lv_03.jpg" /> <img width="3000" height="1999" width_o="3000" height_o="1999" data-src="https://freight.cargo.site/t/original/i/d05351ec705a40dfb9eef6cc01b1576c8f084860cd927d4d6120fda76c6d0837/lv_10.jpg" data-mid="147220147" border="0" src="https://freight.cargo.site/w/1000/i/d05351ec705a40dfb9eef6cc01b1576c8f084860cd927d4d6120fda76c6d0837/lv_10.jpg" /> <img width="2250" height="3000" width_o="2250" height_o="3000" data-src="https://freight.cargo.site/t/original/i/13a4616d5b16778c1e9bd6a4a38f0804880a38b7b7a37fc87dbb4533bffbfcfb/lv_31.jpg" data-mid="147222168" border="0" src="https://freight.cargo.site/w/1000/i/13a4616d5b16778c1e9bd6a4a38f0804880a38b7b7a37fc87dbb4533bffbfcfb/lv_31.jpg" /> <img width="3000" height="2000" width_o="3000" height_o="2000" data-src="https://freight.cargo.site/t/original/i/1f451ad2e030f4509fc08a8fb5259094fa2ffebf160537ad345f62e513efd3dc/lv_04.jpg" data-mid="147220145" border="0" src="https://freight.cargo.site/w/1000/i/1f451ad2e030f4509fc08a8fb5259094fa2ffebf160537ad345f62e513efd3dc/lv_04.jpg" /> <img width="3008" height="2000" width_o="3008" height_o="2000" data-src="https://freight.cargo.site/t/original/i/f94bf1bfe345ef90592df65ebc5c385cda0d325d27ed662db9fd70cc4c7a1a10/DSC05660.JPG" data-mid="147220685" border="0" src="https://freight.cargo.site/w/1000/i/f94bf1bfe345ef90592df65ebc5c385cda0d325d27ed662db9fd70cc4c7a1a10/DSC05660.JPG" /> <img width="3000" height="2250" width_o="3000" height_o="2250" data-src="https://freight.cargo.site/t/original/i/a8a83ba1fb63e2a5acd141a0d14057bfd2faaca75037a3a3a89d431ce59d7f47/lv_33.jpg" data-mid="147222169" border="0" src="https://freight.cargo.site/w/1000/i/a8a83ba1fb63e2a5acd141a0d14057bfd2faaca75037a3a3a89d431ce59d7f47/lv_33.jpg" /> low visibility A glasshouse is a space constructed of transparent material so as to provide a year-round regulated climate for plants. Intended to be an invisible structure, its transparency is intended to both encourage the flow of light and discourage the flow of energy. It is a skin. For low visibility, Shelley Odradek has covered the space of super bien! in mirror foil, shifting the transparency of the space, providing a site for distorted reflection; simultaneously reducing distinction between exterior + interior, and increasing the structural visibility. Shelley neither romaticizes nor negates virtual life(s) in favor of material life, but introduces spaces which test the ‘break’ potential of virtual engagements, languages, structures, and bounds, in relation to material life. Like wrinkled, aging skin, the process of distortion becomes materialized. Blurring the spaces that we define, and through which we are defined, is the site of potential. Karen Barad asks “how matter comes to matter”, Shelley Odradek asks how failure/error/glitch becomes matter. She asks ”if I have no image, what do I reflect? If I have no body, what is my skin?” Reflecting back a version of the surrounding environment, and the bodies that stand before it, the surface becomes a plane of contemplation: on distortion, on reflection, on truth of image, on mediation, on the material, on the digital. On reflection as a site of distortion. As an opportunity for new composition and folding and bending and echoing back a negotiated self, a self whose bounds are twisted like a mobius strip, at once interior_exterior, a construction that is not physical and digital, but rather physical + digital, neither one able to be complete without the other. As Edward Soja puts it, “Social reality is not just coincidentally spatial, existing ‘in’ space, it is presuppositionally and ontologically spatial. There is no unspatialized social reality, There are no aspatial social processes.” The spatial relation (read: echo chamber) of social-identity requires distorted materiality. However, the predominant cultural and power relations function within the logic of wholeness, finity, completeness, serving capitalistic rules of perfection (≠distortion), clarity, and defined edges. And so when something breaks, or cracks – becomes “incomplete” – or is perhaps unable to render a “perfect” reflection, it is no longer able to serve its normative purpose. Philosopher Ewa Majewska writes about weak resistance and the politics of failure as sites for parody and exaggeration. Is the folding/creasing/sliding/wrinkling the gesture of a trickster, wielding the capacity to transcend patriarchal “strength” and its inherent symbolic violence? Who hasn’t stood in front of a fun house mirror or played around with the smartphone filters that distort and reframe our reflections, with equal parts hilarity and horror, as we acknowledge the instability of our subjective and objective relations? Images are echoes, in-visibility is altered visibility. What was the poor image (Hito Steyerl) in the early 2000s is now nostalgic and filled with repositioned potential. The replicant distortions symbolize a materiality that has been rendered obsolete and inadequate in contrast to their new, sharp, high resolution, clear, contemporary counterparts, and demonstrate the need for collateral, rhizomatic representation. As Rebecca Solnit writes, the break relates to infinity and openness, expanding the potential of a closed circuit. Not so dissimilar from our dear friend Lia La Novia Sirena Garcia, who tenderly collects chipped and cracked ceramic and stoneware: physical metaphors for the “wrong”, “errored”, “non-normative” bodies resisting invisibility and marginalization. The break here is in expectation, in the opaque border between image and projection, body and reflection. <img width="2865" height="1905" width_o="2865" height_o="1905" data-src="https://freight.cargo.site/t/original/i/c0ca4234dd2516d63186fa271920d30716e8e589868fc08e59e6c32eb463ff7f/lv_34.jpg" data-mid="147223136" border="0" src="https://freight.cargo.site/w/1000/i/c0ca4234dd2516d63186fa271920d30716e8e589868fc08e59e6c32eb463ff7f/lv_34.jpg" /> download the text as a pdf here https://shelleyodradek.com/Strange-Attractor Fri, 04 Feb 2022 08:47:35 +0000 Shelley Odradek https://shelleyodradek.com/Strange-Attractor <img width="2268" height="4032" width_o="2268" height_o="4032" data-src="https://freight.cargo.site/t/original/i/00ee8b9676e0a62d09d81391c0b65485efb0797a478a7b3261af8fc0ed75c4e5/IMG_8570.jpg" data-mid="161308792" border="0" src="https://freight.cargo.site/w/1000/i/00ee8b9676e0a62d09d81391c0b65485efb0797a478a7b3261af8fc0ed75c4e5/IMG_8570.jpg" /> <img width="5972" height="3981" width_o="5972" height_o="3981" data-src="https://freight.cargo.site/t/original/i/6745b2caee1b3e3b04544340500d648bf071cceb63bdac097fe613b6ca7fe8c4/221118_Foksal-23.jpg" data-mid="161308969" border="0" src="https://freight.cargo.site/w/1000/i/6745b2caee1b3e3b04544340500d648bf071cceb63bdac097fe613b6ca7fe8c4/221118_Foksal-23.jpg" /> <img width="3961" height="5942" width_o="3961" height_o="5942" data-src="https://freight.cargo.site/t/original/i/2a37a56c47318298e8fc6f99e73cab649c253024be41835689f93f0e1c9406bd/221121_ShelleyOdradek_Dokumentacja-2.jpg" data-mid="161308827" border="0" src="https://freight.cargo.site/w/1000/i/2a37a56c47318298e8fc6f99e73cab649c253024be41835689f93f0e1c9406bd/221121_ShelleyOdradek_Dokumentacja-2.jpg" /> <img width="2160" height="3840" width_o="2160" height_o="3840" data-src="https://freight.cargo.site/t/original/i/3a7dd58e38c52a26a157eccba1b5eb66d115470ecfc410ee4e3826a2a59a6f59/2887289D-79E6-41DB-8BCE-90936815B481.JPG" data-mid="161308763" border="0" src="https://freight.cargo.site/w/1000/i/3a7dd58e38c52a26a157eccba1b5eb66d115470ecfc410ee4e3826a2a59a6f59/2887289D-79E6-41DB-8BCE-90936815B481.JPG" /> <img width="3721" height="5582" width_o="3721" height_o="5582" data-src="https://freight.cargo.site/t/original/i/718b932e8b6ae742d8b107edf36e9b9186a176907dc832a9817407b26c6a0ad5/221121_ShelleyOdradek_Dokumentacja-55.jpg" data-mid="161308858" border="0" src="https://freight.cargo.site/w/1000/i/718b932e8b6ae742d8b107edf36e9b9186a176907dc832a9817407b26c6a0ad5/221121_ShelleyOdradek_Dokumentacja-55.jpg" /> <img width="719" height="1600" width_o="719" height_o="1600" data-src="https://freight.cargo.site/t/original/i/69bfb2725bf91f42acbd86a3fbbe99113f6de62ebeef49a15bcc4ed8fefb197f/e681e8ff-fad5-466b-a913-f00266dc02bd.JPG" data-mid="161308765" border="0" src="https://freight.cargo.site/w/719/i/69bfb2725bf91f42acbd86a3fbbe99113f6de62ebeef49a15bcc4ed8fefb197f/e681e8ff-fad5-466b-a913-f00266dc02bd.JPG" /> <img width="5536" height="3691" width_o="5536" height_o="3691" data-src="https://freight.cargo.site/t/original/i/c15112a4051e9b31562a4f6623c30704cc38e7cdf0318cd1c1ebd79d47bd030f/221121_ShelleyOdradek_Dokumentacja-17.jpg" data-mid="161308831" border="0" src="https://freight.cargo.site/w/1000/i/c15112a4051e9b31562a4f6623c30704cc38e7cdf0318cd1c1ebd79d47bd030f/221121_ShelleyOdradek_Dokumentacja-17.jpg" /> <img width="2268" height="4032" width_o="2268" height_o="4032" data-src="https://freight.cargo.site/t/original/i/06a16c383a6181a4c184aa8902afc9bf10c73848ed5e6c2b3511414b52f84141/IMG_8669.jpg" data-mid="161308768" border="0" src="https://freight.cargo.site/w/1000/i/06a16c383a6181a4c184aa8902afc9bf10c73848ed5e6c2b3511414b52f84141/IMG_8669.jpg" /> <img width="5841" height="3894" width_o="5841" height_o="3894" data-src="https://freight.cargo.site/t/original/i/2fa17203660d3a23da52a4a2770e4a5ab161aa9785786114e640e55ebdeaff29/221118_Foksal-5.jpg" data-mid="161308967" border="0" src="https://freight.cargo.site/w/1000/i/2fa17203660d3a23da52a4a2770e4a5ab161aa9785786114e640e55ebdeaff29/221118_Foksal-5.jpg" /> <img width="1600" height="739" width_o="1600" height_o="739" data-src="https://freight.cargo.site/t/original/i/30a6e8feaa6f1e443e9e2873e25772bf541b9e5fa1f1e1f68fa0d18babe63a68/8f05d123-6370-4001-bd69-dd6b049a641a.JPG" data-mid="161308761" border="0" src="https://freight.cargo.site/w/1000/i/30a6e8feaa6f1e443e9e2873e25772bf541b9e5fa1f1e1f68fa0d18babe63a68/8f05d123-6370-4001-bd69-dd6b049a641a.JPG" /> <img width="2268" height="4032" width_o="2268" height_o="4032" data-src="https://freight.cargo.site/t/original/i/de8e6575234932e70dc474395b681afff2a1c1b6145f9e263f76addfb4268813/IMG_8662.jpg" data-mid="161308766" border="0" src="https://freight.cargo.site/w/1000/i/de8e6575234932e70dc474395b681afff2a1c1b6145f9e263f76addfb4268813/IMG_8662.jpg" /> <img width="2571" height="3857" width_o="2571" height_o="3857" data-src="https://freight.cargo.site/t/original/i/07565eb88404ba9525d36719d94a76404af0f5373b3338aca5ef9cea5ea4df69/221121_ShelleyOdradek_Dokumentacja-38.jpg" data-mid="161308833" border="0" src="https://freight.cargo.site/w/1000/i/07565eb88404ba9525d36719d94a76404af0f5373b3338aca5ef9cea5ea4df69/221121_ShelleyOdradek_Dokumentacja-38.jpg" /> <img width="6000" height="4000" width_o="6000" height_o="4000" data-src="https://freight.cargo.site/t/original/i/8f8b9107a8ac040eb7a49d2dea5c30c9b130563c3a7d6c16d9467089ecd25b17/221118_Foksal-18.jpg" data-mid="161308968" border="0" src="https://freight.cargo.site/w/1000/i/8f8b9107a8ac040eb7a49d2dea5c30c9b130563c3a7d6c16d9467089ecd25b17/221118_Foksal-18.jpg" /> <img width="5502" height="3668" width_o="5502" height_o="3668" data-src="https://freight.cargo.site/t/original/i/0a49553570366f24db2f046b3eb77945b603e85e8c9204ea8625ad0ab5a76d81/221121_ShelleyOdradek_Dokumentacja-58.jpg" data-mid="161308859" border="0" src="https://freight.cargo.site/w/1000/i/0a49553570366f24db2f046b3eb77945b603e85e8c9204ea8625ad0ab5a76d81/221121_ShelleyOdradek_Dokumentacja-58.jpg" /> <img width="5477" height="3651" width_o="5477" height_o="3651" data-src="https://freight.cargo.site/t/original/i/2f71f156e51db3fd1e0e843993ae573cd694d45d31ad39f071256273f416ecf6/221121_ShelleyOdradek_Dokumentacja-48.jpg" data-mid="161308838" border="0" src="https://freight.cargo.site/w/1000/i/2f71f156e51db3fd1e0e843993ae573cd694d45d31ad39f071256273f416ecf6/221121_ShelleyOdradek_Dokumentacja-48.jpg" /> STRANGE ATTRACTOR is constructed on the premise of baroque as an operative function: of recycling and weaving, of emergent ornament despite lack of fixed position. Archive-as-organism, distortion-as-necessity. Is it substance or is it decoration? Is it bone or is it flesh? Reality is negotiated. And it is perceived and ordered through bodies that age and decay. Linear life cycles stuffed into nonlinear structures presents a clash of logic. Only certain bodies fit. The internet intensifies these material and conceptual negotiations, but also liberates us from the confines of the body. Digital, supra-physical connectivity stretches, extends. It creates possibility for entangled time and space, for multiplicity, for slippage and impurity. A fold, a hack, a contaminated, deterritorialized subjectivity becomes flows, bends, curves, choreography. The rectangular logic of online/offline reality organizes signs and desire, symbols and translation, language and power. However thick the lines of the grid – windows – beds – screens – city blocks – smartphones – headstones – books – bricks – there is always potential for intimate exchange in the rupture. The keyboard molds to my fingers, the membrane interprets my voice and externalizes the ideas/thoughts/images/questions that are held within my body, which seeks connection. Patchwork labyrinth, polyphonic sound, dispersing of physical space. Sometimes hybrid reality is the only reality. Friday Saturday Sunday Shelley Odradek: Strange AttractorNovember 18-20, 2022 Foksal Gallery (Warsaw, PL)Curator: Martyna Stołpiecexhibition documentation by Michał Rybacki with contributions from Marta Bogdańska, Katie Zazenski, + Thatcher AndersonCollaborators: Jarek Lustych, Julia Bamber, Yeti Yeti, Marcos Burgos Palomares, Olga Mysłowska, Marius Ritual, Paweł Milewski, ShangYunWu, Nicola Fumo Frattegiani, Marta Bogdańska, Rafael, Ingeborga Janikowska-Lipszyc, XueWu Zheng, Sebastian Winkler, Miles T, Carlos Casas, maria her, alexa dexa, Robert B. Lisek, Martini Stołpiec, Aga Pokrywka, Viktor Witkowski, Agata Kurzyk, Ana Vostruchovaite, LeRoy Stevens, Megi Malinowsky, Josh Plough, Jon Burrier, Reb Green, Katie Zazenski, Tonatiuh López, Vince Mountain, Amélie Laurence Fortin, Ewa Hubar, R. Scott Purcell, Linda Lach, Erik Spangler, Aleksandra Jankowiak, Living Archive, Dorota Kotas, Anna Zaradny, Daria Baiocchi, Cura, Józefina Ściółka, Stanisław Welbel, Sulkdrugs, Al Williams, Brandon Vasquez, Edka Jarząb, Joy Li, Ruby Jin, Chuyue Yu, Filip Niemczyk, Anita Bhardwaj, Karolina Jastrzębska https://shelleyodradek.com/Immerse Tue, 25 Oct 2022 04:30:15 +0000 Shelley Odradek https://shelleyodradek.com/Immerse SHADOW ARCHIVE The shadow is a trickster: it is simultaneous presence and absence, a reminder of the self within the Other and otherness within the self. And it uncomfortably floats in the triadic relation of body—object—architecture. How do we orient without naming, how do we become "we" without othering? How do we find presence in absence, and how can we decentralize power and build resistance in image making and dissemination?The Shadow Archive is a repository for images of the in-between. Developed for the&nbsp;exhibition Immerse! at Tallinn Art Hall, curated by Corina L. Apostol and Lívia Nolasco-Rózsás, the Shadow Archive is an evolving, liminal, inconspicuous monument to visibility, orientation, and translation. <img width="750" height="1091" width_o="750" height_o="1091" data-src="https://freight.cargo.site/t/original/i/055e83839dfc8c33f0bce968d364acb31c34b9b9498b8a26b968e9402ca4cc5d/SAhome02.jpg" data-mid="169144771" border="0" src="https://freight.cargo.site/w/750/i/055e83839dfc8c33f0bce968d364acb31c34b9b9498b8a26b968e9402ca4cc5d/SAhome02.jpg" /> <img width="750" height="1099" width_o="750" height_o="1099" data-src="https://freight.cargo.site/t/original/i/6472bf2ec8be9d87324f42f0f8240f1d821c52798d75cc5733ac07df9d6e36d4/SAimages03edited.jpg" data-mid="169146241" border="0" src="https://freight.cargo.site/w/750/i/6472bf2ec8be9d87324f42f0f8240f1d821c52798d75cc5733ac07df9d6e36d4/SAimages03edited.jpg" /> <img width="750" height="1097" width_o="750" height_o="1097" data-src="https://freight.cargo.site/t/original/i/b122eebc3d3a9822c91874c991d18e7441ac19fdb3e20f8ca0bd6110334ab658/SAimages06.jpg" data-mid="169146413" border="0" src="https://freight.cargo.site/w/750/i/b122eebc3d3a9822c91874c991d18e7441ac19fdb3e20f8ca0bd6110334ab658/SAimages06.jpg" /> Please visit and feel welcomed to share your own shadows.https://shadowarchive.eu/ https://shelleyodradek.com/Library Mon, 02 Aug 2021 09:11:30 +0000 Shelley Odradek https://shelleyodradek.com/Library STITCH BITCH: the patchwork girl by Shelley Jackson Thirdspace: Edward Soja Rhizome from A Thousand Plateaus by Deleuze + Guttari &nbsp; &nbsp;&nbsp; Glitch Feminism by Legacy Russell&nbsp; &nbsp;&nbsp;&nbsp; &nbsp; &nbsp; &nbsp; Lines: A Brief History by Tim Ingold (full book) https://shelleyodradek.com/Manifesto Sat, 13 Feb 2021 10:58:45 +0000 Shelley Odradek https://shelleyodradek.com/Manifesto A ‘manifesto’ https://shelleyodradek.com/DAR Wed, 28 Apr 2021 11:07:48 +0000 Shelley Odradek https://shelleyodradek.com/DAR Shelley was an artist-in-resident @ Digital Artist Residency for the month of May, 2021, engaging via Instagram and the DAR website.&nbsp; SPECTRUM&nbsp; &nbsp; INTIMACY What is the sound of spectrum? What does spectrum feel like? What is the shape of spectrum <img width="1077" height="454" width_o="1077" height_o="454" data-src="https://freight.cargo.site/t/original/i/88ee75cb609e10a5ef45ab4832fbc9ca246bbef3e3f6fc489dfa1fd2b28ed3ea/Krauss-Sculpture-Expanded-Field-1.png" data-mid="108316374" border="0" data-scale="100" src="https://freight.cargo.site/w/1000/i/88ee75cb609e10a5ef45ab4832fbc9ca246bbef3e3f6fc489dfa1fd2b28ed3ea/Krauss-Sculpture-Expanded-Field-1.png" /> IRL/AFK ...This month, Shelley: I, you, we, they, her, us, she, them: has found the sound mirror again, as both a literal and metaphorical object/space/architecture/concept, through which I have channeled my interest in connecting and growing, with you, with us... RHIZOME https://shelleyodradek.com/University-of-North-Carolina-Greensboro Thu, 23 Sep 2021 10:13:11 +0000 Shelley Odradek https://shelleyodradek.com/University-of-North-Carolina-Greensboro For the Fall 2021 semester, Shelley worked as digital artist-in-residence @ the University of North Carolina Greensboro. The exhibition&nbsp;Chmura at Greensboro Project Space&nbsp;ran from&nbsp;January 19-February 5, 2022 and featured work that came out of this collaboration as well as prior research and new questions. An artist talk was held on Thursday, January 27, 2022 6pm EST, the recording can be accessed here. Password:&nbsp;0+3R$sJN &nbsp; <img width="2976" height="2203" width_o="2976" height_o="2203" data-src="https://freight.cargo.site/t/original/i/f18ae76fac180dbdef3c2f40d528592b37c40cd3e6126ffb9b904c756cacc2df/shelley-kelley-01.png" data-mid="119660833" border="0" data-scale="78" src="https://freight.cargo.site/w/1000/i/f18ae76fac180dbdef3c2f40d528592b37c40cd3e6126ffb9b904c756cacc2df/shelley-kelley-01.png" /> <img width="2950" height="2203" width_o="2950" height_o="2203" data-src="https://freight.cargo.site/t/original/i/b38dc5d452a240a2b86ab92b4cd85ea2b6bcf82f583cd8fee0b6c57161acaa9a/shelley-kelley-02.png" data-mid="119660834" border="0" data-scale="78" src="https://freight.cargo.site/w/1000/i/b38dc5d452a240a2b86ab92b4cd85ea2b6bcf82f583cd8fee0b6c57161acaa9a/shelley-kelley-02.png" /> <img width="2400" height="3150" width_o="2400" height_o="3150" data-src="https://freight.cargo.site/t/original/i/73274a25a86a41dfb474e0597374fd4825ef755498a9378da9de3dbf05e061ce/shelley_odradek_poster_greensboro_final.jpg" data-mid="130731609" border="0" src="https://freight.cargo.site/w/1000/i/73274a25a86a41dfb474e0597374fd4825ef755498a9378da9de3dbf05e061ce/shelley_odradek_poster_greensboro_final.jpg" /> <img width="3600" height="1265" width_o="3600" height_o="1265" data-src="https://freight.cargo.site/t/original/i/203a33f24cd6ad9a6bf73c62cf9cc3afc25cd4379d8269025227987db73bacb0/greensboro_print_01-SMALL.jpg" data-mid="130840427" border="0" src="https://freight.cargo.site/w/1000/i/203a33f24cd6ad9a6bf73c62cf9cc3afc25cd4379d8269025227987db73bacb0/greensboro_print_01-SMALL.jpg" /> <img width="2427" height="3133" width_o="2427" height_o="3133" data-src="https://freight.cargo.site/t/original/i/724f32e0ed3488dffded60b1630142346c864a964dba0609ab94fa6602e07063/CHMURA-text_1.jpg" data-mid="130841433" border="0" data-scale="46" src="https://freight.cargo.site/w/1000/i/724f32e0ed3488dffded60b1630142346c864a964dba0609ab94fa6602e07063/CHMURA-text_1.jpg" />&nbsp;<img width="2427" height="3133" width_o="2427" height_o="3133" data-src="https://freight.cargo.site/t/original/i/c4fbc5d102aa9b4815379cad4d3a01368ae947adb44a2bab57cff7b2ab0478c4/CHMURA-text_2.jpg" data-mid="130841434" border="0" data-scale="50" src="https://freight.cargo.site/w/1000/i/c4fbc5d102aa9b4815379cad4d3a01368ae947adb44a2bab57cff7b2ab0478c4/CHMURA-text_2.jpg" /> <img width="837" height="1265" width_o="837" height_o="1265" data-src="https://freight.cargo.site/t/original/i/3e528d0305020e9316624650472e7125b4621d60786da6d0e6b1d90a715a5815/big-red-text-only.jpg" data-mid="130840507" border="0" src="https://freight.cargo.site/w/837/i/3e528d0305020e9316624650472e7125b4621d60786da6d0e6b1d90a715a5815/big-red-text-only.jpg" /> <img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/2f49b8eb5ec944f79397d6c338baf2a738c71e12cf52bececcd3daacee34889b/mobius-still_0100991.jpg" data-mid="130841475" border="0" src="https://freight.cargo.site/w/1000/i/2f49b8eb5ec944f79397d6c338baf2a738c71e12cf52bececcd3daacee34889b/mobius-still_0100991.jpg" /> “Digital Darkroom” Collaborators: Willow Allen, Devian Biggs, Suzanne Bradshaw, Bailey Burchett, Jordyne Cox, Aaron Graham, Oscar Guerrero, Sydney Hall, Shane Hart, Brandon Hernandez, Ariel Hewlin, Nubia Jackson, Jaziah Johnson, Jasmine Joyner, Kaliyah Landrum, Kelley O’Brien, Phelan Perry, Rebecca Pyun, Jayson Stephens, Zoie Teague, Sarahwen Williams, Lorenzo Wilson“Mapping Dance” Collaborators: Darius Anthony, Kathleen Barnes, Samuel Bond, Alexandria Borden, Kayleigh Broderick, Jonah Carrel, Cathy Coakley, Angelina Cramer, Brandy Day, Hannah Duell, Sydney Fosterling, Hailey Harvey, Zaria Hawkins, Erica Hunter, Rya Kotarski, Anna Lifsey, Griselle Lugo, Aiden Marshall, Leondria Mcrae, Julianne Peebles, Courtney Roy, Kiara Sease, Quinn Silverman, Odyssey Sims, Aislinn Travis, Jazmine Warren, Emily Wooters, Clarice Young <img width="3000" height="3000" width_o="3000" height_o="3000" data-src="https://freight.cargo.site/t/original/i/83f89459e79b4031247ce9502a5cb1d373bbb88e28fd746b7c5e519367089f6b/greensboro_07-small.jpg" data-mid="130842561" border="0" data-scale="79" src="https://freight.cargo.site/w/1000/i/83f89459e79b4031247ce9502a5cb1d373bbb88e28fd746b7c5e519367089f6b/greensboro_07-small.jpg" /> <img width="1440" height="4927" width_o="1440" height_o="4927" data-src="https://freight.cargo.site/t/original/i/6b03a53d0001d4a54c6f29cee3647b81b3083e7735b2edc019ad1f24be302ec4/Text-chat-Digital-Darkroomsm.jpg" data-mid="130842895" border="0" src="https://freight.cargo.site/w/1000/i/6b03a53d0001d4a54c6f29cee3647b81b3083e7735b2edc019ad1f24be302ec4/Text-chat-Digital-Darkroomsm.jpg" /> <img width="3600" height="2292" width_o="3600" height_o="2292" data-src="https://freight.cargo.site/t/original/i/50e85398605e6795833b5aef171632dc0ee4eb1722d0f06309da501a72a25d87/greensboro_print_02_memeSMALL.jpg" data-mid="130842574" border="0" src="https://freight.cargo.site/w/1000/i/50e85398605e6795833b5aef171632dc0ee4eb1722d0f06309da501a72a25d87/greensboro_print_02_memeSMALL.jpg" /> September 29,2021 Playlist (generated by Digital Darkroom) https://www.youtube.com/watch?v=373c-CF_qjc https://www.youtube.com/watch?v=Nv644ipg2Ss https://www.youtube.com/watch?v=9RHFFeQ2tu4 https://www.youtube.com/watch?v=2dITTT-OaWE https://www.youtube.com/watch?v=qxReUsiK4OE https://www.youtube.com/watch?v=OOHPmmt3DOI https://www.youtube.com/watch?v=y0tg79cARh4 https://www.youtube.com/watch?v=pTN_Axw8TJA https://www.youtube.com/watch?v=dlG-1sQfEyE https://www.youtube.com/watch?v=XeebtskeD_Q https://www.youtube.com/watch?v=m77FDcKg96Q https://www.youtube.com/watch?v=UqyT8IEBkvY https://www.youtube.com/watch?v=E0GLXZPC6F8 https://www.youtube.com/watch?v=UaNGtgYwSsU https://www.youtube.com/watch?v=5GJWxDKyk3Ahttps://www.youtube.com/watch?v=Z3w5gVM_4y8 https://www.youtube.com/watch?v=y0tg79cARh4 https://www.youtube.com/watch?v=dK3OJ1grBg4 https://www.youtube.com/watch?v=Np2IqqJ5otg https://www.youtube.com/watch?v=-F2r3LErRyc https://www.youtube.com/watch?v=UqyT8IEBkvY <img width="2945" height="2200" width_o="2945" height_o="2200" data-src="https://freight.cargo.site/t/original/i/5d977147bc7e60b7d4545cec4c2333e4043234954fa8a59cfc604b4cc6106593/Screen-Shot-2022-01-28-at-9.58.13-AM.png" data-mid="131732252" border="0" src="https://freight.cargo.site/w/1000/i/5d977147bc7e60b7d4545cec4c2333e4043234954fa8a59cfc604b4cc6106593/Screen-Shot-2022-01-28-at-9.58.13-AM.png" /> <img width="2930" height="2124" width_o="2930" height_o="2124" data-src="https://freight.cargo.site/t/original/i/fb0aafad9ab0c0b0541c311773c4b208aea490b5dc3748e5d957e1998efda837/Screen-Shot-2022-01-28-at-9.58.55-AM.png" data-mid="131732168" border="0" src="https://freight.cargo.site/w/1000/i/fb0aafad9ab0c0b0541c311773c4b208aea490b5dc3748e5d957e1998efda837/Screen-Shot-2022-01-28-at-9.58.55-AM.png" /> *original diagram not-landscape/not-architecture/sculpture appears in “Sculpture in the Expanded Field” by Rosalind Krauss (1979)&nbsp; https://shelleyodradek.com/International-Forum-of-Permaculture-Educators Wed, 28 Apr 2021 11:08:33 +0000 Shelley Odradek https://shelleyodradek.com/International-Forum-of-Permaculture-Educators Shelley was invited to collaborate with the&nbsp;International Forum of Permaculture Educators (May 15+16, 2021). The forum was hosted jointly between Biennale Warszawa and Agro Perma Lab Foundation. The video is based on the participation and communications between members of the forum, which occurred during the two weeks prior to the forum.&nbsp; Collaborators: Marek Golonko, Krystian Stempek, Klaudia Kryńska, &nbsp;Małgorzata Witczak, Krzysztof Gajda, Ewa Tatar, Wojciech Nowak, Michelle Żamojda, Karolina Pająk, Michał Augustyn, Ola Arent, Łukasz Nowacki, Agnieszka Chołuj, Anna Chęć, Maciej Łepkowski, Krzysztof Marciniak, Daniel Pacek, Marcelina Haremza, Joanna Bojczewska, Habiba Youssef, Immo Fiebrig, Iryna Kozakova, Jana Kožnarová, Susanne Hofmann-Souki, Weronika Koralewska, Anna Galas-Kosil, Ola Andrzejewska, Katie Zazenski https://shelleyodradek.com/Pre-biography-of-Shelley-Odradek Sat, 13 Feb 2021 11:31:57 +0000 Shelley Odradek https://shelleyodradek.com/Pre-biography-of-Shelley-Odradek The speculative, pre-history of Shelley Odradek